Gran Torino (2008)

Gran Torino is a film that depicts the relationship between Walt Kowalski, a Korean War veteran who has been recently widowed, and Thao Vang Lor, a young neighbor of Hmong origins. The anger and bitterness that Walt feels towards the world and his family dives him towards living a lonely life alienated from almost everyone else. Thao is a young man who seeks to join a gang led by his cousin with the latter encouraging him to steal Walt’s Ford Gran Torino as an initiation ritual into the gang. When Walt foils his attempt, he and Thao end up developing a wary friendship with the former acting as a mentor for the young man. This is a story that shows the life that ethnic minorities in the United States have to live because they have very few opportunities to ensure that they improve the circumstances in their lives. Gran Torino is a film that seeks to ensure that there is recognition of the cultural diversity that exists in the United States and the need for there to be cultural understanding in order for social cohesion to take place. The multicultural relationship between Walt and Thao can be considered to be an illustration of what can be achieved through cultural understanding while Walt’s family’s seeming disapproval of the Hmong’s community attending Walt’s funeral can be considered to be a sign of the cultural alienation that Hmong in the United States have experienced since their arrival. Gran Torinoallows for a unique view of the Hmong community in the United States as well as advocates for a need for the development of cultural cohesion in the nation.

One of the most important cultural relationships that are depicted in Grand Torino is that between Walt, Thao and Thao’s Hmong family. Walt, a recently widowed white American, ends up striking a friendship with Thao’s family and becomes a mentor for Thao and his sister Sue. Sue also helps Walt learn Hmong culture and this cultural understanding brings him even closer to the Vang Lor family as well as to the rest of the Hmong community in the neighborhood. Furthermore, it should be noted that Sue goes against cultural isolation through her choosing to date Trey; a young white man. Walt becomes so involved with the Vang Lor family to such an extent that they become closer to him than his own family: the latter who he considers to be emotionally detached from him with their only interest being on his estate. Walt’s involvement with the Hmong community also opens his eyes to the cultural diversity that is present in his neighborhood and this allows him to ensure that he not only feels like a part of this community, but also seeks to protect them from Spider’s gang.

The process of acculturation is one where communities, mainly migrant, adapt to the culture of their new countries in order to fit in with the rest of society. This is normally done in a diverse number of ways from matters concerning diet to such aspects as language and names. In Gran Torino, it should be noted that a significant number of individuals in the Hmong community have come to adopt diverse aspects of American culture. Among these, as seen in this film, is that of dating, where both Thao and his sister Sue date; a situation which is not common in Hmong culture. Another aspect of culture that is seen in this film is enculturation, which is a situation where individuals learn the requirements of a new culture and adapt to aspects of its language and rituals to ensure social acceptance. This is the case with Walt who, with Sue’s help, seeks to ensure that he learns aspects of Hmong culture in order to better interact with the community.

Cultural relativism is the judging of an alien culture through its own understanding of its practices rather than one’s own. This is opposed to ethnocentrism which is the judgment of a different culture based on one’s own cultural perspective. Subcultures are the practices conducted by a small group of individuals in a bid to ensure that they differentiate themselves from the larger cultural grouping. In Gran Torino, all these aspects of culture are dealt with, as seen through cultural relativism where Sue encourages Walt to develop and understanding of Hmong culture. This is in contrast with Walt’s previous opinion of his Hmong neighbors where he often judged them based on his own culture and cared nothing for them. A sub-cultural perspective is where Spider’s gang conducts its own rites of initiation into the group and acts to punish those it believes are turning away from its culture. This is especially the case with the gang’s attempt to punish Thao for failing in stealing the Ford Gran Torino that would have allowed him to join the gang.

In conclusion, the discussion above has sought to show that Gran Torino is a film that portrays the diverse aspects of culture in the United States. Most of the instances that take place within this film are based on culture and its aspects such as ethnocentrism, acculturation, enculturation, as well as subculture. All of the latter are shown in the film through the interactions that take place between Walt, the Vang Lor family, and Spider’s gang and this ensures that there is greater cultural understanding; especially in relation to Hmong American culture. The film shows that cultural isolation is detrimental to individual development, as seen in the hostile attitude that Walt has towards his neighbors before the beginning of his interaction with the Vang Lor family and Hmong culture. Therefore, one would suggest that Gran Torino is a film that seeks to show how greater cultural interaction between the mainstream and minority cultures in the United States would allow for greater social development. Not only would it bring out the best of these cultures, but it would also lead to a situation where there is an advancement of social cohesion which is a desirable trait in any nation.