Eat Drink Man Woman (1994)

This is a movie whose plot is set to address the ongoing issues, in Taiwan, concerning the changing ways of the people or society from the traditional Chinese to the more western ways. The plot of the movie is unique, because the conflict in the change is centered on food. It is a story of a retired chef who lives with his three single daughters until the time comes when they meet the loves of their lives. One of the daughters loves cooking like her father and it is her secret desire to become a chef like him. However, this is a challenge for her because it is rare for women to be allowed into the profession, which is male dominated. Despite the fact that the daughters look upon their father’s cooking for them as being too traditional, the meals they share serves to bring their family together, something which is extremely rare indeed in the modern society. Another daughter shows a lot of cynicism towards men until such a time as she meets a volleyball coach to who she is attracted. This daughter completely breaks with tradition by actively pursuing the man that she desires. The youngest daughter is a college student who is quite sexually adventurous and her escapades result in her getting pregnant. The chef’s wife has passed away sixteen years prior to the plot of the movie, and the lack of a mother in the household is something which is realized throughout the film. Had there been a mother’s presence in the family’s life, then the troubles which this family is undergoing would be nonexistent, or minimal.

One of the major themes of this movie is one of self sacrifice as seen when Jia-Jen decides to stay at home and look after her father and her sisters. She lives a single life because of this selflessness on her part and it can be said that she fills the role of the mother in the household. Her sister, Jia-Chien, is the direct opposite of her sister due to her selfish nature; not wanting to be bothered by the affairs of the family as long as all her needs are fulfilled. Jia-Ning, the youngest sister, lives a very carefree life and it can be said that this is because of the lack of guidance that she would have received from her mother had she been alive. Chu, their father, is a well meaning man who has chosen not to remarry for the sake of taking care of his daughters himself. He is a man who, despite the fact that his daughters have grown up and are supposed to move out of the home, continues to live with them. This is a sign of a caring father who, instead of choosing the modern way of letting his children go, decides to follow the traditional way of letting his daughters stay at home until such a time as they get married. The fact that his adult daughters are still living at home creates a lot of tension between them; a conflict that can be considered to be one between traditionalism and modernism.

This is an emotional film to watch because it does not have any action but it instead deals with the emotional aspects of the people within it. It has a powerful plot which curiously creates an environment that displays the day to day lives of the characters. It is similar to the the scenes that are increasingly becoming common in Taiwan, where the traditional way of life is coming into conflict with the modern ways. While some people are trying hard to retain their culture, the younger generation seems to be moving away from it. When one watches this movie, one comes to the conclusion that the old ways are losing out and that the best way to handle this transition should not be resistance, but acceptance. In addition, Chu’s slow loss of his sense of taste, something which he depends on to earn a living, is highly symbolic. The sense of taste can be said to be a symbol of the traditional way of life and the way that it is inevitably going to come to an end. The film itself is not boring because of the heavy drama which is involved in every scene. The camera work is done so well that this film can be considered to be a rare phenomenon in the Asian film industry, because the films from this region tend to have very little camera movement. In conclusion, it can be said that this film is highly revelatory of the way of life, and the dilemmas it brings with it, in modern Taiwan.